Stop and Smell the Bacon square Ignat Ignatov

Ignat Ignatov

such as when laboring for the king Augeas of Elis

5 inches (650 mm x 1005 mm)

cast forms

and I also occasionally work with colored pencils

Stop and Smell the Bacon square Ignat IgnatovDetails About Oil on paper 6 x 6 in. 2017 10 x 10 in. (f) Brian R. Donnelly s portraiture deconstructs the dialogue between the audience and objects by experimenting with the fragile nature of artwork. Faces deteriorate, separate, and occasionally combust in his work, redefining it as transitional rather than perpetual. Presenting fading memories instead of permanent effigies Donnelly draws a parallel between the fragility of artwork and the ephemeral